The Art of Procuring a Patron
Donald Macleod explores Handel’s early career in Italy, as he builds relationships with influential patrons and establishes his reputation.
Donald Macleod begins a week exploring Handel’s relationships with the powerful figures who shaped his career. In Italy, the young composer made his name among aristocratic and ecclesiastical patrons, navigating a world of salons, academies and private performances. Rome offered opportunity despite restrictions on opera, while figures such as Cardinal Ottoboni and the Marchese Ruspoli provided both platforms and protection. Handel’s independence, however, remained striking: even while relying on patronage, he avoided being tied too closely to any single employer.
Dixit Dominus
George Frideric Handel
Harry Christophers, conductor
The Sixteen
Tu fedel? Tu costante?: Recitative and aria
George Frideric Handel
Carlotta Colombo, soprano
Fantazyas
Rodrigo: Overture, recitative and aria
George Frideric Handel
Il Complesso Barocco
Alan Curtis, conductor
Il Trionfo del Tempo e del Disinganno: Overture
George Frideric Handel
Le Concert d’Astrée
Emmanuelle Haïm, conductor
Il Trionfo del Tempo e del Disinganno: “Pure del cielo”
George Frideric Handel
Sabine Devieilhe, soprano
Pygmalion
Raphaël Pichon, conductor
La Resurrezione: excerpts
George Frideric Handel
Les Musiciens du Louvre
Marc Minkowski, conductor
Produced by Ellie Ajao for BBC Audio Wales
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- Mon 20 Jul 202616:00BBC Radio 3
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