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  <title type="text">Kermode Uncut Feed</title>
  <subtitle type="text">Outspoken, opinionated and never lost for words, Mark is the UK's leading film critic.  This twice-weekly video blog is the place where he airs his personal views on the things that most fire him up about cinema - and invites you to give your own opinions.</subtitle>
  <updated>2017-08-08T09:05:55+00:00</updated>
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    <title type="html"><![CDATA[The Handmaiden]]></title>
    <summary type="html"><![CDATA[The Handmaiden - Park Chan Wook’s extraordinary adaptation of the Sarah Waters novel Fingersmith - is out on DVD in two versions. I love them both and here is why…]]></summary>
    <published>2017-08-08T09:05:55+00:00</published>
    <updated>2017-08-08T09:05:55+00:00</updated>
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    &lt;p&gt;The Handmaiden - Park Chan Wook’s extraordinary adaptation of the Sarah Waters novel Fingersmith - is out on DVD in two versions. I love them both and here is why…&lt;/p&gt;
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    <title type="html"><![CDATA[Critical Direction]]></title>
    <summary type="html"><![CDATA[The Handmaiden currently out in cinemas. It’s director Park Chan Wook was formerly a film critic - which raises an interesting question.]]></summary>
    <published>2017-04-21T14:28:51+00:00</published>
    <updated>2017-04-21T14:28:51+00:00</updated>
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    &lt;p&gt;The Handmaiden currently out in cinemas. It’s director Park Chan Wook was formerly a film critic - which raises an interesting question.&lt;/p&gt;
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