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  <title type="text">Kermode Uncut Feed</title>
  <subtitle type="text">Outspoken, opinionated and never lost for words, Mark is the UK's leading film critic.  This twice-weekly video blog is the place where he airs his personal views on the things that most fire him up about cinema - and invites you to give your own opinions.</subtitle>
  <updated>2014-12-05T14:58:44+00:00</updated>
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    <title type="html"><![CDATA[The Devils Demand]]></title>
    <summary type="html"><![CDATA[Mark Kermode on why Ken Russell's The Devils has not had a release for the director's cut.]]></summary>
    <published>2014-12-05T14:58:44+00:00</published>
    <updated>2014-12-05T14:58:44+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/b8772363-5f1f-36ff-984e-8364cf5c656b"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/b8772363-5f1f-36ff-984e-8364cf5c656b</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;It’s now 10 years since Ken Russell’s controversial 1971 masterpiece The Devils was reconstructed in a director’s cut but the studio still refuses to release it. Why?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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            &lt;em&gt;Why the director's cut of Ken Russell’s The Devils still hasn't been released.&lt;/em&gt;
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    &lt;p&gt;&lt;strong&gt;Related Content&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/blogs/legacy/markkermode/2011/11/our_ken.html"&gt;Our Ken&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/posts/the_devil_is_in_the_detail"&gt;The Devil Is In The Detail&lt;/a&gt;&lt;/p&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Hair Apparent]]></title>
    <summary type="html"><![CDATA[Mark Kermode with his view on the latest Brad Pitt movie]]></summary>
    <published>2014-07-22T11:47:20+00:00</published>
    <updated>2014-07-22T11:47:20+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/305e7356-d681-37d0-a820-9800b202e100"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/305e7356-d681-37d0-a820-9800b202e100</id>
    <author>
      <name>Mark Kermode</name>
    </author>
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    &lt;p&gt;Here’s my personal perspective on the latest Brad Pitt outing...&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Content&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/programmes/p01brfy5"&gt;World War Z&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/posts/The-Flop-Formula"&gt;The Flop Formula&lt;/a&gt;&lt;/p&gt;
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  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Writers Blocked?]]></title>
    <summary type="html"><![CDATA[Mark Kermode on the writer's role in films.]]></summary>
    <published>2014-05-13T13:38:04+00:00</published>
    <updated>2014-05-13T13:38:04+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/3f9b1e57-58f9-3fe2-85f2-97b275c50f1f"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/3f9b1e57-58f9-3fe2-85f2-97b275c50f1f</id>
    <author>
      <name>Mark Kermode</name>
    </author>
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    &lt;p&gt;Are writers still seriously undervalued in the film business? Here I talk to James Moran, screenwriter of Severance and Cockneys vs Zombies, to find out what he thinks.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[The Dating Game]]></title>
    <summary type="html"><![CDATA[Mark Kermode on why new film Bad Neighbours has an unusual opening date.]]></summary>
    <published>2014-05-02T12:48:31+00:00</published>
    <updated>2014-05-02T12:48:31+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/35d3298c-a50d-3e8a-b537-86f32812d3ad"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/35d3298c-a50d-3e8a-b537-86f32812d3ad</id>
    <author>
      <name>Mark Kermode</name>
    </author>
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    &lt;p&gt;The new comedy Bad Neighbours can be seen in cinemas from tomorrow onwards. But why is this when the official opening date is not until next Friday?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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    <title type="html"><![CDATA[Noah Big Deal]]></title>
    <summary type="html"><![CDATA[Mark Kermode on how the makers of Noah are trying to get the Pope's approval.]]></summary>
    <published>2014-03-21T17:51:16+00:00</published>
    <updated>2014-03-21T17:51:16+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/bda40f71-5801-3dd1-ab65-3622dafe59c2"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/bda40f71-5801-3dd1-ab65-3622dafe59c2</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;The makers of the biblical epic Noah have been trying to get an audience with the Pope. So why is the Vatican’s approval so important?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Content&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/posts/Noah-Show"&gt;Noah Show&lt;/a&gt;&lt;/p&gt;
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    <title type="html"><![CDATA[Projection Perfection]]></title>
    <summary type="html"><![CDATA[Mark Kermode on a letter sent to projectionists about The Grand Budapest Hotel.]]></summary>
    <published>2014-03-18T11:10:42+00:00</published>
    <updated>2014-03-18T11:10:42+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/a14aac5f-d581-3d13-9340-53112d0f5136"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/a14aac5f-d581-3d13-9340-53112d0f5136</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;There was a letter sent out recently about how to correctly show Wes Anderson’s new movie The Grand Budapest Hotel. This is not the first time a director has recognised the importance of the projectionist...&lt;/p&gt;&lt;p&gt;&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Content&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/posts/your_kermode_award_nominations"&gt;Your Kermode Award Nominations&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.bbc.co.uk/programmes/p01th5lh"&gt;Grand Budapest Hotel review&lt;/a&gt;&lt;/p&gt;
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    <title type="html"><![CDATA[That Sinking Feeling]]></title>
    <summary type="html"><![CDATA[I met up with director Bill Forsyth at the recent Shetland Film Festival where he showed me some extraordinary never-before-seen documents showing how he financed his first film That Sinking Feeling. 

        
 Hear Mark Kermode review the week's new films every Friday from 2pm on BBC Radio 5 l...]]></summary>
    <published>2012-09-14T14:12:21+00:00</published>
    <updated>2012-09-14T14:12:21+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/c58c76dd-edb7-3a45-a0c6-0d557b244a6e"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/c58c76dd-edb7-3a45-a0c6-0d557b244a6e</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;I met up with director Bill Forsyth at the recent Shetland Film Festival where he showed me some extraordinary never-before-seen documents showing how he financed his first film That Sinking Feeling.&lt;/p&gt;
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    &lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
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  </entry>
  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[The Devil Is In The Detail]]></title>
    <summary type="html"><![CDATA[The director's cut of Ken Russell's controversial 1971 masterpiece The Devils was recently given a rare screening at the BFI Southbank. Here I ask why it has still not been released on DVD and discuss the film and it's scandalous history with producer Steve Woolley.  

      Hear Mark Kermode review the week's new films every Friday from 2pm on BBC  Radio 5 live. Kermode & Mayo's Film Review is also available as a free podcast to  download and keep.]]></summary>
    <published>2011-08-23T13:37:22+00:00</published>
    <updated>2011-08-23T13:37:22+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/4ee74d24-74ce-3f78-b887-504c2bb031b9"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/4ee74d24-74ce-3f78-b887-504c2bb031b9</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;The director's cut of &lt;a href="http://www.imdb.com/name/nm0001692/"&gt;Ken Russell's&lt;/a&gt; controversial 1971 masterpiece &lt;a href="http://www.imdb.com/title/tt0066993/"&gt;The Devils&lt;/a&gt; was recently given a rare screening at the BFI Southbank. Here I ask why it has still not been released on DVD and discuss the film and it's scandalous history with producer &lt;a href="http://www.imdb.com/name/nm0941262/"&gt;Steve Woolley&lt;/a&gt;.&lt;br&gt;&lt;/p&gt;
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    &lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC  Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to  download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Little White Lars]]></title>
    <summary type="html"><![CDATA[I'm about to go and interview the controversial and mischevious Danish director Lars Von Trier. He most recently caused outrage with the tasteless remarks he made at the Cannes Film Festival - but is anything that Von Trier says ever genuine or meant to be taken seriously? 

        
 Related Po...]]></summary>
    <published>2011-07-27T09:00:00+00:00</published>
    <updated>2011-07-27T09:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/62162b7e-a232-3c77-8eb3-1ce9e0db1bff"/>
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    <author>
      <name>Mark Kermode</name>
    </author>
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    &lt;p&gt;I'm about to go and interview the controversial and mischevious Danish director &lt;a href="http://www.imdb.com/name/nm0001885/"&gt;Lars Von Trier&lt;/a&gt;.&lt;br&gt;He most recently caused outrage with the tasteless &lt;a href="http://www.bbc.co.uk/news/entertainment-arts-13454999"&gt;remarks he made at the Cannes Film Festival&lt;/a&gt; - but is anything that Von Trier says ever genuine or meant to be taken seriously?&lt;/p&gt;
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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2010/01/antichrist.html"&gt;The Possession of the Antichrist&lt;/a&gt; - did an 80s euro-horror film influence Antichrist?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/programmes/p00c7lkm"&gt;Antichrist&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Recycling or Transforming?]]></title>
    <summary type="html"><![CDATA[There's been a lot of kerfuffle recently about the fact that Michael Bay has reused shots from his film The Island in Transformers 3: Dark of the Moon. There's nothing new about this, filmmakers have been recycling footage and sound effects for decades - but is that a good thing? 
 

 
 
 
   
 ...]]></summary>
    <published>2011-07-20T14:00:00+00:00</published>
    <updated>2011-07-20T14:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/b601f610-c601-338b-ac4d-46a8a9ba2c4f"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/b601f610-c601-338b-ac4d-46a8a9ba2c4f</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    &lt;p&gt;There's been &lt;a href="http://www.dailymail.co.uk/news/article-2010714/Transformers-3-Did-Michael-Bay-recycle-footage-The-Island.html"&gt;a lot of kerfuffle recently about the fact that Michael Bay has reused shots&lt;/a&gt; from his film &lt;a href="http://www.imdb.com/title/tt0399201/"&gt;The Island&lt;/a&gt; in &lt;a href="http://www.bbc.co.uk/programmes/p00hzjhn"&gt;Transformers 3: Dark of the Moon&lt;/a&gt;. There's nothing new about this, filmmakers have been recycling footage and sound effects for decades - but is that a good thing?&lt;/p&gt;

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    &lt;p&gt;&lt;strong&gt;Related Posts on Kermode Uncut&lt;/strong&gt;&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2011/06/transformers_3_dark_of_the_moo.html"&gt;Transformers 3: Dark of the Moon&lt;/a&gt; - watch Mark's incredible, wordless review&lt;br&gt;&lt;a href="http://www.bbc.co.uk/blogs/markkermode/2011/07/transformers_3_and_the_truth_a.html"&gt;Transformers 3 and the Truth About Blockbusters&lt;/a&gt; - can you handle the truth?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Mark's reviews on 5 live&lt;/strong&gt; &lt;a href="http://www.bbc.co.uk/programmes/p00hzjhn"&gt;&lt;br&gt;Transformers 3: Dark of the Moon&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Hear Mark Kermode review the week's new films &lt;a href="http://www.bbc.co.uk/programmes/b00lvdrj"&gt;every Friday from 2pm on BBC Radio 5 live&lt;/a&gt;. Kermode &amp; Mayo's Film Review is also available as &lt;a href="http://www.bbc.co.uk/podcasts/series/kermode"&gt;a free podcast to download&lt;/a&gt; and keep.&lt;/em&gt;&lt;/p&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[In the Realm of James Ferman]]></title>
    <summary type="html"><![CDATA[An Oshima retrospective at the BFI recalls a revealing story about the true nature of film censorship in the UK, in this instance concerning the Japanese master's most famous and notorious masterpiece, Ai No Corrida AKA In the Realm of the Senses.]]></summary>
    <published>2009-08-21T11:00:00+00:00</published>
    <updated>2009-08-21T11:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/040879fa-569c-3895-b780-b41f23ca101b"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/040879fa-569c-3895-b780-b41f23ca101b</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    An Oshima retrospective at the BFI recalls a revealing story about the true nature of film censorship in the UK, in this instance concerning the Japanese master's most famous and notorious masterpiece, Ai No Corrida AKA In the Realm of the Senses.&lt;br&gt;&lt;br&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[A Dodge Brothers Movie Tribute]]></title>
    <summary type="html"><![CDATA[After last year's homage de skiffle to George Lucas's animated Star Wars outing, The Clone Wars, my fellow Dodge Brothers and I have found the courage to try another summer spectacular: the Alexander Courage, in fact.]]></summary>
    <published>2009-07-21T13:00:00+00:00</published>
    <updated>2009-07-21T13:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/54023e0e-98db-3f74-8f2b-80da22c856be"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/54023e0e-98db-3f74-8f2b-80da22c856be</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    After last year's homage de skiffle to George Lucas's animated Star Wars outing, The Clone Wars, my fellow Dodge Brothers and I have found the courage to try another summer spectacular: the Alexander Courage, in fact.&lt;br&gt;&lt;br&gt;
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    <title type="html"><![CDATA[Blog reply replies: A matter of opinions]]></title>
    <summary type="html"><![CDATA[Never let it be said that there is no freedom of speech on Kermode Uncut: you can be as totally wrong as you like. And in other news, how does a person pronounce the surname "Bowie." Is it possible to be apsolutist about it?]]></summary>
    <published>2009-07-07T10:00:00+00:00</published>
    <updated>2009-07-07T10:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/fbf54eba-8366-3c45-8e01-80686f968843"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/fbf54eba-8366-3c45-8e01-80686f968843</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    Never let it be said that there is no freedom of speech on Kermode Uncut: you can be as totally wrong as you like. And in other news, how does a person pronounce the surname "Bowie." Is it possible to be apsolutist about it?&lt;br&gt;&lt;br&gt;
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    <title type="html"><![CDATA[Doctors at Large]]></title>
    <summary type="html"><![CDATA[After years of bickering about movies on the radio, Doctor Simon Mayo has agreed to join me for a televisual feast of Wittertainment in the shape of 'The Screening Room'. Recorded for the Culture Show, this mini series will be appearing on your televisions and iPlayers next month. Here's a little behind the scenes preview.]]></summary>
    <published>2009-06-29T16:00:00+00:00</published>
    <updated>2009-06-29T16:00:00+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/462c2ae1-1118-3414-bcda-c35010e72be7"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/462c2ae1-1118-3414-bcda-c35010e72be7</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    After years of bickering about movies on the radio, Doctor Simon Mayo has agreed to join me for a televisual feast of Wittertainment in the shape of 'The Screening Room'. Recorded for the Culture Show, this mini series will be appearing on your televisions and iPlayers next month. Here's a little behind the scenes preview.&lt;br&gt;&lt;br&gt;
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  <entry xmlns:xhtml="http://www.w3.org/1999/xhtml">
    <title type="html"><![CDATA[Five Live in Edinburgh: the Best Bits]]></title>
    <summary type="html"><![CDATA[Over the weekend, Mark joined Simon Mayo and a live audience at the Edinburgh International Film 
Festival, with guests including Jimi Mistry, Alan Cumming, Ian Hart, Andrew McDonald, 
Duncan Jones and Bill Forsyth.  Go to Mark on Five Live for more reviews and film debate. 
 (Please note this c...]]></summary>
    <published>2009-06-24T16:18:29+00:00</published>
    <updated>2009-06-24T16:18:29+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.bbc.co.uk/blogs/markkermode/entries/b0129894-b953-3942-960f-f762334ed7b5"/>
    <id>https://www.bbc.co.uk/blogs/markkermode/entries/b0129894-b953-3942-960f-f762334ed7b5</id>
    <author>
      <name>Mark Kermode</name>
    </author>
    <content type="html">&lt;div class="component prose"&gt;
    Over the weekend, Mark joined Simon Mayo and a live audience at the Edinburgh International Film 
Festival, with guests including Jimi Mistry, Alan Cumming, Ian Hart, Andrew McDonald, 
Duncan Jones and Bill Forsyth.&lt;br&gt;&lt;p&gt;Go to Mark on &lt;a href="http://www.bbc.co.uk/fivelive/entertainment/kermode.shtml"&gt;Five Live&lt;/a&gt;&lt;a href="http://www.bbc.co.uk/fivelive/entertainment/kermode.shtml"&gt;&lt;/a&gt; for more reviews and film debate.&lt;/p&gt;
&lt;p&gt;(Please note this content is only available to UK viewers). &lt;br&gt;&lt;/p&gt;&lt;br&gt;
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